That later became “vocal trance” which is utter shit for retards which then became dance again or whatever. It’s basically what happened to trance music, every track started having some dumb bimbo spouting nonsense on top of the really good music. I was on board back when vocals were just manipulated samples but since he started having idiots actually “sing” on top of his shit, I was losing interest fast. I stopped listening because all of his new stuff doesn’t do anything for me. Still, Liam peaked with Jilted and that’s not gonna change. I’m still not tired of it, it’s pretty much the defining album of my youth. I remember buying Jilted on both CD and tape so I could listen to it on my shitty walkman, I’d play it on repeat for weeks and not get tired of it. I grew up listening to “Experience” and “Jilted” and then suddenly everyone thought Prodigy was cool when “Firestarter” and “Bitch” happened. Personally, I’d much prefer to see Howlett revisit the Dirtchamber Sessions than see him releasing more straight-up Prodigy albums. I mean, ‘Fat of the Land’ was so over-exposed after it was released that I still can’t bring myself to listen to it even though I loved it at the time and still hold it in high esteem (‘Firestarter’ and ‘Breathe’ are surely two of the seminal 90s tracks).Īnd in Howlett’s defence, it’s quite possible that he doesn’t even know that the songs are being licensed left, right and centre and even if he did - why bite the hand that feeds? They’re no more mainstream now than they ever were. This “mainstream” Prodigy isn’t what I was used to hearing in my teenage years. On one side, Howlett is or pretends to be an arrogant ass with a “fuck everybody, I don’t care”-atttitude, while on the other side they’re pumping millions into promoting their above-average albums and do shitty interviews on XBox Live. They’re using the songs to underlay every damn thing on TV, like news, sports, documentaries… everything. Why? Because TV is playing it to its death.

The prodigy experience album download